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Vic Firth Ahmir "?uestlove" Thompson Signature Wood Tip Hickory Drum Sticks
With 17" in length and an extended taper‚ this stick can really crack! Features our anti-slip Vic Grip coating in black for a distinctive look and feel.
L = 17"
Dia. = .520"
Signature Series Drumsticks: Each Vic Firth Signature Series model was conceived through extensive research with the finest drummers from a variety of musical styles. The designs reflect their musical requirements in terms of balance, feel, sound projection and cymbal color. All colored sticks feature a clear, natural tip. All sticks are hickory unless otherwise noted.
About Ahmir ?uestlove Thompson:
Drummer/producer Ahmir Thompson is a living link between the digital science of modern hip-hop and the flesh-and-blood textures of vintage R&B. He co-founded the Roots, universally hailed as one of the most sonically inventive hip-hop acts.
Meanwhile, his collaborations with such artists as D'Angelo, Erykah Badu, and Common have reasserted the importance of real-time playing in a style dominated by sampling and programming. "I'm really into the game of making people guess, is it a machine, or is it him?" says Thompson, who also goes by the name ?uestlove (pronounced "Questlove"). One famous example is the Roots' biggest hit, "You Got Me," which sounds for all the world like a programmed side stick pattern—until Thompson cuts loose with a blazing drum-and-bass groove. Like much of Thompson's work, the passage is startling, witty, and funky. "Hip-hop is based in rhythm, repetition, and perfect time," says Thompson. "With Roots stuff, I go for a more perfect, quantized-type sound than I would with, say, Erykah or D'Angelo. For D'Angelo's Voodoo, we wanted to play as perfectly as we could, but then deliberately insert the little glitch that makes it sound messed up. The idea was to sound disciplined, but with a total human feel." For Thompson, "human feel" is bred in the bone.
His father was the leader of the '50s doo-wop group Lee Andrews and the Hearts, and Ahmir literally grew up onstage. "My whole family was involved playing the oldies circuit with groups like the Coasters, the Drifters, the Chiffons," he says. "I was playing percussion at gigs from the age of seven because my parents didn't believe in babysitters. By 13, I was the musical director, and I stayed in that world until I got a record deal with the Roots at age 22."
But Thompson is quick to point out that he is no real-time purist: "In actuality, one of the biggest influences on my drumming is a producer and drum programmer named Jaydee, from the group Slum Village. He makes programmed stuff so real, you really can't tell it's programmed. He might program 128 bars, with absolutely no looping or quantizing. When Q-Tip from A Tribe Called Quest first played me some of his stuff, I said, 'The drums are messed up! The time is wrong!' And when we did a song for D'Angelo's record that Lenny Kravitz was supposed to play on, Lenny said, 'I can't play with this—there's a discrepancy in the drum pattern.' And we're like, 'It's supposed to be this way!'"